|
15:41
-
16:07
|
Rapid, uneven ticking fades in.
|
|
FX |
|
0:17
-
0:20
|
Speaking.
|
|
Voice |
|
0:25
-
0:27
|
Speaking.
|
|
Voice |
|
0:32
-
0:36
|
Speaking.
|
|
Voice |
|
0:40
-
0:44
|
Speaking.
|
|
Voice |
|
0:48
-
0:50
|
Speaking.
|
|
Voice |
|
0:55
-
0:60
|
Speaking.
|
|
Voice |
|
1:02
-
1:06
|
Speaking.
|
|
Voice |
|
1:08
-
1:12
|
Speaking.
|
|
Voice |
|
1:16
-
1:19
|
Speaking.
|
|
Voice |
|
1:20
-
1:23
|
Speaking.
|
|
Voice |
|
1:26
-
1:29
|
Speaking.
|
|
Voice |
|
1:31
-
1:35
|
Speaking.
|
|
Voice |
|
1:38
-
1:42
|
Speaking.
|
|
Voice |
|
1:44
-
1:47
|
Speaking.
|
|
Voice |
|
1:48
-
1:49
|
Speaking.
|
|
Voice |
|
1:50
-
1:51
|
Speaking.
|
|
Voice |
|
1:54
-
4:56
|
Speaking: Voice panned left.
|
|
Voice |
|
4:56
-
5:18
|
Speaking: Voice panned centre.
|
|
Voice |
|
5:22
-
5:48
|
High-cut, Low-cut EQ filter applied; the Voice sounds as though it's coming from a telephone.
|
|
Voice |
|
5:56
-
6:04
|
Filtered Voice continues.
|
|
Voice |
|
6:08
-
6:14
|
Filtered voice continues.
|
|
Voice |
|
6:18
-
6:23
|
Filter removed, Voice speaking.
|
|
Voice |
|
6:28
-
6:33
|
Speaking.
|
|
Voice |
|
6:33
-
6:34
|
Barely audible breath.
|
|
Voice |
|
6:38
-
6:43
|
Speaking: "sharp", "swift", "and", "vessels".
|
|
Voice |
|
6:47
-
6:59
|
Speaking.
|
|
Voice |
|
7:09
-
7:17
|
Speaking.
|
|
Voice |
|
7:23
-
7:30
|
Speaking.
|
|
Voice |
|
7:34
-
7:40
|
Speaking.
|
|
Voice |
|
7:44
-
7:50
|
Speaking.
|
|
Voice |
|
7:55
-
7:59
|
Speaking.
|
|
Voice |
|
8:04
-
8:14
|
Speaking.
|
|
Voice |
|
8:40
-
8:44
|
Speaking: "deux cent cinquante coups".
|
|
Voice |
|
8:51
-
8:57
|
Speaking.
|
|
Voice |
|
8:59
-
9:05
|
Speaking.
|
|
Voice |
|
9:07
-
9:12
|
Speaking.
|
|
Voice |
|
9:08
|
Vocal skip.
|
|
Voice |
|
9:20
-
9:24
|
Speaking.
|
|
Voice |
|
9:27
-
9:30
|
Speaking: "EV-EH-RE MOHR-NING"...
|
|
Voice |
|
9:30
-
9:34
|
Speaking.
|
|
Voice |
|
9:39
-
9:42
|
Speaking: "EV-EH-RE MOHR-NING"...
|
|
Voice |
|
9:42
-
9:45
|
Speaking.
|
|
Voice |
|
9:49
-
9:51
|
Speaking: "EV-EH-RE"...
|
|
Voice |
|
9:51
-
9:57
|
Speaking.
|
|
Voice |
|
10:02
-
10:05
|
Speaking: "EV-EH-RE" morning".
|
|
Voice |
|
10:06
-
10:08
|
Speaking.
|
|
Voice |
|
10:11
-
10:16
|
Speaking.
|
|
Voice |
|
10:20
-
10:22
|
Speaking: "Every morning"...
|
|
Voice |
|
10:23
-
10:24
|
Speaking.
|
|
Voice |
|
10:27
-
10:34
|
Speaking: "Every m-orning"...
|
|
Voice |
|
10:40
-
10:45
|
Speaking: "Every m-orning"...
|
|
Voice |
|
10:52
-
10:56
|
Speaking: High-cut, Low-cut EQ filter applied; words begin to break.
|
|
Voice |
|
10:60
-
11:05
|
Speaking: Filter continues.
|
|
Voice |
|
11:07
-
11:13
|
Speaking: Filter continues.
|
|
Voice |
|
11:19
-
11:21
|
Speaking: "Fff" sound builds into first sound.
|
|
Voice |
|
11:22
-
12:30
|
Speaking: Emphasizing words and syllables; staccato.
|
|
Voice |
|
13:37
-
13:38
|
Speaking: "Shhh" builds into first word, "shadow".
|
|
Voice |
|
13:38
-
13:49
|
Speaking: rapid.
|
|
Voice |
|
13:52
-
13:55
|
Speaking.
|
|
Voice |
|
13:58
-
14:01
|
Speaking.
|
|
Voice |
|
14:04
-
14:08
|
Speaking.
|
|
Voice |
|
14:12
-
14:15
|
Speaking.
|
|
Voice |
|
14:18
-
14:23
|
Speaking.
|
|
Voice |
|
14:25
-
14:27
|
Speaking.
|
|
Voice |
|
14:29
-
14:30
|
Speaking.
|
|
Voice |
|
14:32
-
14:35
|
Speaking.
|
|
Voice |
|
14:38
-
14:39
|
Speaking, cuts in middle of word.
|
|
Voice |
|
14:41
-
14:42
|
Speaking: fragment.
|
|
Voice |
|
14:43
-
14:44
|
Speaking: Fragment.
|
|
Voice |
|
14:46
-
14:46
|
Speaking: "small".
|
|
Voice |
|
14:47
-
14:48
|
Speaking: "stones".
|
|
Voice |
|
14:49
-
14:53
|
Speaking: rapid.
|
|
Voice |
|
14:55
-
14:55
|
Speaking: "small".
|
|
Voice |
|
14:56
-
14:57
|
Speaking: "stones".
|
|
Voice |
|
14:57
-
14:58
|
Speaking: "flourishing".
|
|
Voice |
|
14:59
-
14:60
|
Speaking: rapid, "in a future against".
|
|
Voice |
|
15:01
-
15:02
|
Speaking: "Babylon".
|
|
Voice |
|
15:03
-
15:41
|
Speaking: rapid.
|
|
Voice |
|
15:47
-
16:05
|
Speaking: rapid.
|
|
Voice |
|
16:11
-
16:25
|
Speaking.
|
|
Voice |
|
16:30
-
16:42
|
Speaking: Barely audible under music.
|
|
Voice |
|
16:42
-
16:56
|
Speaking.
|
|
Voice |
|
16:60
-
17:31
|
Speaking: slowing.
|
|
Voice |
|
17:54
-
17:57
|
Speaking.
|
|
Voice |
|
17:59
-
18:11
|
Speaking.
|
|
Voice |
|
18:12
-
20:01
|
Speaking.
|
|
Voice |
|
7:50
-
7:55
|
Rising in pitch until it cuts.
|
|
Whisper |
|
8:22
-
8:33
|
Hectic, folded underneath the main Voice.
|
|
Whisper |
|
8:39
-
8:41
|
Multiple voices, hectic whispering.
|
|
Whisper |
|
8:47
-
8:51
|
Consonants of the Voice's "deux cent cinquante coups"; repeating.
|
|
Whisper |
|
13:41
-
13:42
|
Panned left and right.
|
|
Whisper |
|
13:44
-
13:45
|
"small stones"; panned left and right.
|
|
Whisper |
|
13:47
-
13:47
|
Panned left.
|
|
Whisper |
|
13:48
-
13:48
|
"small-", panned right.
|
|
Whisper |
|
13:49
-
14:04
|
Panned left and right, alternating.
|
|
Whisper |
|
14:04
-
15:07
|
Joined by multiple voices.
|
|
Whisper |
|
0:02
-
5:24
|
Deep tone swells and fades repeatedly, slowly rising in volume, while rythmic distortion is introduced.
|
|
Music |
|
1:52
-
5:18
|
An alternate but similar tone is overlaid onto the first, at times punctuating the Voice.
|
|
Music |
|
8:47
-
11:11
|
Syncopated bass melody introduced, underlaid beneath all sounds. Plays for a riff, rests for few seconds, repeats.
|
|
Music |
|
11:14
-
11:21
|
Saxophone tone swells and cuts.
|
|
Music |
|
11:27
-
11:35
|
Last hit swells into sustained tone.
|
|
Music |
|
11:40
-
12:36
|
Sax hits develop into chaotic melody beneath Voice.
|
|
Music |
|
12:36
-
17:04
|
Sax fluttering and tonal resonance.
|
|
Music |
|
14:33
-
17:31
|
Deep tone underlaid, slowly building a melody beneath the Voice and fluttering.
|
|
Music |
|
17:04
-
17:31
|
Sax fluttering begins to slow.
|
|
Music |
|
17:31
-
20:05
|
Sax fluttering develops into sustained tones, harmonized.Swelling and retreating like waves.
|
|
Music |