|
4:20
-
4:53
|
Rising tone, harsh, distorted, swells then fades.
|
FX |
|
5:48
-
5:56
|
Deep tone, loud and blaring, like a foghorn. Cuts off the Voice.
|
FX |
|
6:04
-
6:07
|
Deep tone at a higher pitch, loud and blaring, like a foghorn. Ends on vocal emphasis.
|
FX |
|
6:14
-
6:18
|
Deep tone at a higher pitch, loud and blaring, like a foghorn. Ends on vocal emphasis.
|
FX |
|
6:18
-
11:14
|
Various pitches of the foghorn blast continue, slowly building into a rhythm underlaying the Voice.
|
FX |
|
6:38
-
6:47
|
Foghorn tone on words "sharp", "swift", "and", stretching on after "vessels".
|
FX |
|
8:58
-
11:14
|
Distorted saxophone screech introduced, regularly punctuating the sound.
|
FX |
|
11:14
-
11:21
|
Saxophone screech and wail fading.
|
FX |
|
11:21
-
11:23
|
High-pitched resonance.
|
FX |
|
11:22
-
11:27
|
Bass/sax hits, punctuating the Voice.
|
FX |
|
11:35
-
11:40
|
Bass/sax hits, at shorter intervals.
|
FX |
|
13:13
-
13:29
|
High-pitched, brass wailing.
|
FX |
|
15:41
-
16:07
|
Rapid, uneven ticking fades in.
|
FX |
|
0:17
-
1:51
|
Speaking. Neutral tone, calm, slow and clear. Intentionality likened to a storyteller, with pauses/vocal emphasis set to a "beat" derived from the musical swell surrounding the Voice.
|
Voice |
|
1:54
-
4:56
|
Speaking: Voice panned left, continuation of the initial tone.
|
Voice |
|
1:55
-
4:56
|
Second Voice, panned right, speaking, continuation of the initial tone at a lower level, slowly rising in volume as it negotiates the sonic space alongside the first Voice.
|
Voice |
|
4:56
-
5:18
|
Speaking: Voice panned centre, returned to initial position.
|
Voice |
|
5:22
-
6:14
|
High-cut, Low-cut EQ filter applied; the Voice sounds as though it's coming from a telephone. The tone takes on more authority, more urgency, than before. The vocal emphasis is more charged in the absence of an ambient soundscape, and further charged as the blaring FX is introduced.
|
Voice |
|
6:18
-
6:33
|
Filter removed, Voice speaking clearly, emphasizing syllables, negotiating the space between the tonal blares, at times overlapping.
|
Voice |
|
6:33
-
6:34
|
Barely audible breath.
|
Voice |
|
6:38
-
6:43
|
Speaking, continuation of tone, emphasis on words: "sharp", "swift", "and", "vessels", timed with blaring.
|
Voice |
|
6:47
-
8:14
|
Speaking, continuation of tone.
|
Voice |
|
8:40
-
8:44
|
Emphasis: "deux cent cinquante coups".
|
Voice |
|
9:08
|
Vocal skip.
|
Voice |
|
9:20
-
9:24
|
Speaking. The tone is urgent and forceful, matching the blaring ambience.
|
Voice |
|
9:27
-
9:30
|
Emphasis: "EV-EH-RE MOHR-NING"...
|
Voice |
|
9:30
-
9:34
|
Speaking, continuation of tone.
|
Voice |
|
9:39
-
9:42
|
Emphasis: "EV-EH-RE MOHR-NING"...
|
Voice |
|
9:42
-
9:45
|
Speaking, continuation of tone.
|
Voice |
|
9:49
-
9:51
|
Emphasis: "EV-EH-RE"...
|
Voice |
|
9:51
-
9:57
|
Speaking, continuation of tone.
|
Voice |
|
10:02
-
10:05
|
Emphasis: "EV-EH-RE" morning".
|
Voice |
|
10:06
-
10:16
|
Speaking, continuation of tone.
|
Voice |
|
10:20
-
10:22
|
Emphasis: "Every morning"...
|
Voice |
|
10:23
-
10:24
|
Speaking, continuation of tone.
|
Voice |
|
10:27
-
10:34
|
Emphasis: "Every m-orning"...
|
Voice |
|
10:40
-
10:45
|
Emphasis: "Every m-orning"...
|
Voice |
|
10:52
-
10:56
|
Speaking: High-cut, Low-cut EQ filter applied; words begin to break.
|
Voice |
|
10:60
-
11:13
|
Speaking: Filter continues.
|
Voice |
|
11:19
-
11:21
|
Speaking: "Fff" sound builds into first sound.
|
Voice |
|
11:22
-
12:30
|
Speaking: Emphasizing words and syllables; a staccato of each line's syllables before the line is laid out in its entirety.
|
Voice |
|
13:37
-
13:38
|
Speaking: "Shhh" builds into first word, "shadow".
|
Voice |
|
13:38
-
13:55
|
Speaking: Rapid, the tone remains urgent, pauses in between lines, allowing the whispers to bleed in.
|
Voice |
|
14:38
-
14:44
|
Speaking, words begin to fragment, split, caught up again after brief silences overtaken by whispers.
|
Voice |
|
14:46
-
14:46
|
Speaking, emphasis on: "small".
|
Voice |
|
14:47
-
14:48
|
Speaking, emphasis on: "stones".
|
Voice |
|
14:49
-
14:53
|
Speaking, rapid. Words begin to tumble like an avalanche over the fluttering sax, cascading.
|
Voice |
|
14:55
-
14:55
|
Speaking, emphasis on: "small".
|
Voice |
|
14:56
-
14:57
|
Speaking, emphasis on: "stones".
|
Voice |
|
14:57
-
14:58
|
Speaking, emphasis on: "flourishing".
|
Voice |
|
14:59
-
14:60
|
Speaking, rapid, and fragmented. Emphasis on: "in a future against".
|
Voice |
|
15:01
-
15:02
|
Speaking, emphasis on: "Babylon"
|
Voice |
|
15:03
-
15:41
|
Speaking, rapid, no pausing, cascading. The only punctuation is the occasional gasp for breath between lines.
|
Voice |
|
15:41
-
15:47
|
Rest.
|
Voice |
|
15:47
-
16:05
|
Speaking: rapid.
|
Voice |
|
16:11
-
16:25
|
Speaking, begins to slow.
|
Voice |
|
16:30
-
16:42
|
Speaking, slows further, pulls away briefly, barely audible under music.
|
Voice |
|
16:42
-
16:56
|
Speaking, slowing, tone softens.
|
Voice |
|
16:60
-
17:31
|
Speaking: slowing.
|
Voice |
|
17:54
-
20:01
|
Speaking, calm, the storytelling tone re-assumed, rising into the center as the "lead" Voice.
|
Voice |
|
0:02
-
0:51
|
Deep tone swells and fades repeatedly, slowly rising in volume, while rhythmic distortion is introduced. The first thirty seconds sets the stereo width of the piece, setting a space for the Voice to fill before it enters the piece.
|
Music |
|
0:31
-
5:24
|
Subtle exchange between tonal swells and the Voice, at times working in parallel but often intersecting.
|
Music |
|
1:52
-
5:18
|
An alternate but similar tone is overlaid onto the first, at times punctuating the Voice.
|
Music |
|
8:47
-
11:11
|
Syncopated bass melody introduced, underlaid beneath all sounds. Plays in waves, rests between riffs, building up the main tone and echoing the vocal fragments.
|
Music |
|
11:14
-
11:21
|
Saxophone tone, discordantly harmonized, swells and cuts.
|
Music |
|
11:27
-
11:35
|
Last hit swells into sustained tone.
|
Music |
|
11:40
-
12:36
|
Sax hits develop into chaotic melody beneath Voice, echoing fragments.
|
Music |
|
12:36
-
17:04
|
Sax fluttering, tonal resonance panned back and forth, left and right alternating, re-establishing the width of the sonic field.
|
Music |
|
14:33
-
17:31
|
Deep tone underlaid, building a slow melody beneath the Voice and the fluttering; expanding the sound.
|
Music |
|
17:04
-
17:31
|
Sax fluttering begins to slow.
|
Music |
|
17:31
-
20:05
|
Sax fluttering develops into sustained tones, harmonized. Swelling and retreating like waves, re-establishing depth as the Voice returns.
|
Music |
|
7:50
-
7:55
|
Rising in pitch until it cuts.
|
Whisper |
|
8:22
-
8:33
|
Hectic, folded underneath the main Voice.
|
Whisper |
|
8:39
-
8:41
|
Multiple voices, hectic whispering.
|
Whisper |
|
8:47
-
8:51
|
Consonants of the Voice's "deux cent cinquante coups"; repeating.
|
Whisper |
|
13:41
-
13:42
|
Panned left and right.
|
Whisper |
|
13:44
-
13:45
|
"small stones"; panned left and right.
|
Whisper |
|
13:47
-
13:47
|
Panned left.
|
Whisper |
|
13:48
-
13:48
|
"small-", panned right.
|
Whisper |
|
13:49
-
14:04
|
Panned left and right, alternating.
|
Whisper |
|
14:04
-
15:07
|
Joined by multiple voices.
|
Whisper |